EQ Settings

Name Mode Setting Low Low Mid Hi Mid High Comments
Male 1 4/Bd Para Template for Male Vocal
Freq: Hz 188 1001 2015 6774
Gain dB -0.05 0 2 3.5
Q 0.2 4.5 0.6 0.2
Male 2 British EQ Variation of Male 1
Freq: Hz 167 236 2684 6774
Gain dB 2 -5 2.5 4
Q   10.1 5.6  
Kick Drum 1 4/Bd. Para Emphasis on lower range of Kick Drum
Freq: Hz 99 265 1000 5351
Gain dB 3.5 -3.5 0 4
Q 0.9 10.1 0.9 0.2
Kick Drum 2 4/Bd. Para Makes a peak at 80Hz
Freq: Hz 79 397 2546 12614
Gain dB 8 -7 6 0
Q 1.4 4.5 2.2 16
Snare 1 British EQ For snaps and rimshots
Freq: Hz 132 1001 3182 5017
Gain dB -0.5 0 3 4.5
Q   4.5 0.2  
Snare 2 4/Bd Para Traditional rock snare
Freq: Hz 176 335 2388 4093
Gain dB 1.5 -8.5 2.5 4
Q 0.2 10.1 0.7 0.2
Arpeggio 1 4/Bd Para Alters arpeggio technique of guitar
Freq: Hz 223 1001 4019 6701
Gain dB -0.5 0 0 2
Q 0.2 4.5 4.5 0.2
Arpeggio 2 British EQ Variation of Arpeggio 1
Freq: Hz 178 357 4019 4226
Gain dB 0 -5.5 0 4
Q   7 4.5  
Guitar 1 British EQ Highlights brightness in guitar
Freq: Hz 105 1001 1891 5351
Gain dB -2 0 1 4
Q   4.5 3.5  
Guitar 2 British EQ Variation on Guitar 1
Freq: Hz 297 752 2015 3560
Gain dB -3.5 -2 0 2
Q   9 4.5  
Kick Drum 3 4/Bd Para Variation on the other Kick Presets
Freq: Hz 118 314 4238 2017
Gain dB 3.5 -10 3.5 0
Q 2 10.1 0.4 0.4
Horns 4/Bd Para For Brass Section of orchestra
Freq: Hz 88 845 2125 4459
Gain dB -2 1 1.5 3
Q 2.8 2 0.7 7
Bright Chorus 4/Bd Para Makes chorus much brighter
Freq: Hz 88 845 2125 4459
Gain dB -2 1 1.5 3
Q 2.8 2 0.7 7
Cymbals British EQ Highlights the attack of crash cymbals
Freq: Hz 105 401 1054 13452
Gain dB -2 4.1 1 7
Q   0.8 0.9  
Bass 1 British EQ Use for tight electric bass sound
Freq: Hz 35 111 2015 4006
Gain dB -7.5 4.5 2.5 0
Q   5 4.5  
Bass 2 British EQ Variation on Bass 1
Freq: Hz 111 111 2241 4006
Gain dB 3 0 2.5 0.5
Q   5 6.3  
Line-in Guitar British EQ For recording a guitar line-in
Freq: Hz 267 397 1332 4507
Gain dB 2 -5.5 0.5 2.5
Q   10.1 6.3  
Crunchy 1 4/Bd Para Alters tone of a lightly distorted guitar
Freq: Hz 141 1001 1891 5645
Gain dB 4.4 0 4 2
Q 8 4.5 0.6 9
Crunchy 2 4/Bd Para Variation of Crunchy 1
Freq: Hz 125 447 3391 1912
Gain dB 2.5 1.7 2.5 0
Q 8 0.4 0.2 0.2
Crunchy 3 4/Bd Para Variation of Crunchy 1 and 2
Freq: Hz 141 1001 1891 5645
Gain dB 4.4 1.7 2.5 0
Q 8 4.5 0.6 9
Distorted 1 British EQ Makes a distorted guitar more clear
Freq: Hz 301 950 3391 1300
Gain dB 5 0 3.5 0
Q   9 10.1  
Distorted 2 British EQ Variation of Distorted 1
Freq: Hz 301 1056 4238 1300
Gain dB 6 -8.5 4.5 4
Q   10.1 4.1  
Female 1 4/Bd Para Template for a Female Vocal
Freq: Hz 118 397 2684 6020
Gain dB -1 1 1.5 2
Q 0.2 0.5 0.6 0.2
Female 2 British EQ Variation of Female 1
Freq: Hz 111 335 2015 6701
Gain dB -7 1.5 1.5 2.5
Q   0.2 0.2  
Fine-Tune British EQ Makes recording to tape sound more clear
Freq: Hz 74 1001 4019 12614
Gain dB -1.5 0 1 3
Q   4.5 1.8  
Hat British EQ To emphasize the high-rage of the high hat
Freq: Hz 94 423 2831 7540
Gain dB -4 -2.5 1 0.4
Q   0.5 1  
Main Vocal 4/Bd Para For dialog or voice-over recording
Freq: Hz 105 705 2519 10071
Gain dB -4 -1 2 0
Q 4 7 0.6 0.2
Rhythm British EQ For percussive instruments like
tambourine or congas
Freq: Hz 99 397 2892 16847
Gain dB -4.5 4.5 2 0
Q   4.5 0.6  
Piano 1 British EQ Makes Piano Crisp and Tight
Freq: Hz 94 950 3182 7540
Gain dB -6 0 2 4
Q   8 0.9  
Piano 2 4/Bd Para Variation on Piano 1
Freq: Hz 223 595 3182 5351
Gain dB 3.5 -8.5 1.5 3
Q 5.6 10.1 0.7 0.2
Piano 3 British EQ Variation on Piano 1 and 2
Freq: Hz 99 476 2388 10071
Gain dB 4.5 -13 4.5 2.5
Q 8 10.1 9 0.2
Bright Piano 4/Bd Para Use for the high register of the piano
Freq: Hz 188 397 6763 5645
Gain dB -5.5 1.5 5 3
Q 10.1 6.3 2.2 0.2
Mellow Piano 4/Bd Para Use for the low-register of the piano
Freq: Hz 188 397 6763 12614
Gain dB -5.5 1.5 6 0
Q 10.1 6.3 2.2 0.2
Snare 3 British EQ Thick sounding snare
Freq: Hz 223 564 4238 4006
Gain dB 0 2 3.5 0
Q   4.5 2.8  
Electro Bass 1 4/Bd Para Cuts low bass frequencies
Freq: Hz 83 950 4019 12614
Gain dB 3.5 8.5 0 0
Q 0.2 8 4.5 0.2
Electro Bass 2 4/Bd Para Highlights the high range of a bass
Freq: Hz 125 177 1123 12614
Gain dB 2.5 0 1.5 0
Q 1.6 8 2.2 0.2
Tom 1 4/Bd Para Thick decay on the to
Freq: Hz 211 669 4470 6352
Gain dB 2 -7.5 2 1
Q 1.4 10.1 1.2 0.2
Tom 2 British EQ Use this for a brighter tom sound
Freq: Hz 88 210 5354 1699
Gain dB -9 1.5 2 0
Q   4.5 1.2  
Full Mix 1 British EQ For full stereo mix EQ
Freq: Hz 94 950 2125 16140
Gain dB -0.05 0 3 6.5
Q   2.2 5.6  
Full Mix 2 4/Bd Para Slight variation on Full Mix 1
Freq: Hz 94 744 1793 17967
Gain dB 3.4 1.5 2 6
Q 7 2.8 5.6 0.2
Full Mix 3 British EQ Can be used for effects returns
Freq: Hz 66 845 1891 1510
Gain dB 1.5 0.5 2 4
Q   0.3 0.7  

Source: www.blinduncledallas.com/EQ.htm

12/30/04 Tom Parker